The Reading Room

nonfiction

page 5
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These all come from the Three Penny Review archives.  They are not quick reads, but full length nonfiction stories.  What you want to look at is how these authors use their space.  They choose what to put in, what not to put in, and the order in which things appear.  It isn't just automatic.

 Writing like this only happens when you are willing to rewrite and revise.  That may sound like bad news, but I think it is good news.  I find something more than satisfying in rewriting and revising a story I believe in, and so should you.  The more you do it, the more you will find yourself enjoying it.  Rewriting is not punishment.  It is your reward for all the hard work that went into the early drafts.

 

Gary Shteyngart

The Mother Tongue
Between Two Slices of Rye

When I return to Russia, my birthplace, I cannot sleep for days. The Russian language swaddles me. The trilling r's tickle the underside of my feet. Every old woman cooing to her grandson is my dead grandmother. Every glum and purposeful man picking up his wife from work in a dusty Volga sedan is my father. Every young man cursing the West with his friends over a late morning beer in the Summer Garden is me. I have fallen off the edges of the known universe, with its Palm Pilots, obnoxious vintage shops, and sleek French-Caribbean Brooklyn bistros, and have returned into a kind of elemental Shteyngart-land, a nightmare where every consonant resonates like a punch against the liver, every rare vowel makes my flanks quiver as if I'm in love.

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Lynne Sharon Schwartz

Wheelchair Yoga

"The yoga teacher is coming this afternoon at two. Why don't you try it?" the physical therapist suggested to my friend Marian as he settled her back in her wheelchair. Marian had just taken ten small steps with the therapist standing in front holding her arms and an assistant standing behind, pushing the chair in case she needed to sit down in a hurry. I walked alongside.

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 Leonard Michaels

My Yiddish

In Paris one morning in the Seventies, walking along rue Mahler, I saw
a group of old men in an argument, shouting and gesticulating. I wanted
to know what it was about, but my graduate-school French was good
enough only to read great writers, not good enough for an impassioned
argument or even conversation with the local grocer. But then, as I walked by the old men, I felt a shock and a surge of exhilaration. I did understand them. My god, I possessed the thing-spoken French! Just as suddenly, I crashed. The old men, I realized, were shouting in
Yiddish.


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Lisa Michaels

Near and Deer

The day my husband and I moved into our home, the deer came like a neighborhood welcoming committee. We were unpacking boxes in the living room, which looked out on a gravel walk that bordered our yard. Suddenly three deer came into view, stepping by single-file, as if on a forest path. “Look,” Mau said, touching my arm. We both froze, newspaper wadded around our feet, stacks of bowls in our hands.

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Go to page 6 of the Reading Room  
actually, don't go, it's still under construction